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Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes 4th edition


Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes 4th edition

Paperback by Hirsch, Robert

Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes

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£31.99

ISBN:
9781138999244
Publication Date:
26 Sep 2017
Edition/language:
4th edition / English
Publisher:
Taylor & Francis Ltd
Imprint:
Routledge
Pages:
280 pages
Format:
Paperback
For delivery:
Estimated despatch 10 - 12 May 2024
Photographic Possibilities: The Expressive Use of Concepts, Ideas, Materials, and Processes

Description

The long-awaited new edition of this seminal text features clear, reliable, step-by-step instructions on innovative alternative and traditional photographic processes. Over and above a full update and revision of the technical data, there are new sections on digital negative making, electrophotography, and self-publishing. Foremost practioners, including Edward Bateman, Dan Burkholder, Tom Carpenter, Mark Osterman, France Scully Osterman, Jill Skupin Burkholder, Brian Taylor, and Laurie Tümer, have contributed their expertise to this edition. Perfect for practitioners or students of handmade photography, the book covers classic black-and-white film and paper processes, hand-coated processes like Cyanotype, and Platinum/Palladium. Also featured is an enhanced section on gum bichromate, invaluable instruction on workflow, and the integration of digital, promoting the effective union of one's concepts, materials, and processes. The book showcases work and commentary from more than 150 international artists.

Contents

Chapter 1 Essential Moments in Photographic Printmaking Chapter 2 Predarkroom Actions: Imaginative Thinking Chapter 3 Special Classic Cameras and Equipment Chapter 4 Image Capture: Special-Use Films, Processing, and Digital Negative Making Chapter 5 Formulas of One's Own Chapter 6 Black-and-White Film Developers Chapter 7 Analog Fine Printmaking: Equipment, Materials, and Processes Chapter 8 Black-and-White Paper Developers Chapter 9 Toning for Visual Effects Chapter 10 Classic Historic Processes Chapter 11 Pigmented and Alternative Processes Chapter 12 Transforming Photographic Concepts: Expanding the Lexicon Addendum 1 Safety Guidelines

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